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Many thanks for all your support.Ħ 6 TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.7 ABSTRACT.9 FOREWORD.10 I.

Thanks to the CAPES MEC/Brazil and Fulbright Foundations for the financial support during the preparation of this document and to Roland Dyens and Sérgio Assad for their music and patience in answering my questions. SIGNED: Guilherme Caldeira Loss VincensĤ 4 To my parents Neide and Afonso, my sister Natália and my inspiring and loving wife Carolina, for their support, patience and love.ĥ 5 ACKNOWLEDGEMENTS This study wouldn't be possible without the encouragement and guidance from Thomas Patterson, Janet Sturman, Carrol McLaughlin, Patrick Neher, Mark Rush, Barbara Babcock, Lyneen Elmore and all my friends and colleagues at University of Arizona. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Document Director: Date: 7/20/09 Thomas Pattersonģ 3 STATEMENT BY AUTHOR This document has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.

1 THE ARRANGEMENTS OF ROLAND DYENS AND SÉRGIO ASSAD: INNOVATIONS IN ADAPTING JAZZ STANDARDS AND JAZZ-INFLUENCED POPULAR WORKS TO THE SOLO CLASSICAL GUITAR by Guilherme Caldeira Loss Vincens Copyright Guilherme Caldeira Loss Vincens 2009 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2009Ģ 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Guilherme Caldeira Loss Vincens entitled The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts Date: 7/20/09 Thomas Patterson Date: 7/20/09 Janet Sturman Date: 7/20/09 Carrol McLaughlin Final approval and acceptance of this document is contingent upon the candidate s submission of the final copies of the document to the Graduate College.

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